Oil Rubbed Bronze
A deep chocolate brown with warm copper showing through on the edges. The most requested patina for door hardware, faucets and lighting, and the easiest to match across a whole house.
Oil rubbed bronze, antique brass, verdigris, statuary brown and black patinas, hand applied and relieved on solid or freshly plated metal, then sealed so the color you approve is the color you keep.
The Look of Time, Without the Wait
A patina is a color that grows on the surface of a metal. Nature creates one slowly: bronze statues turn brown, copper roofs go green and old brass hardware darkens where hands never touch it. In our shop we start that same chemistry on purpose and guide it, so a part gets decades of character in an afternoon.
Every patina is built in layers. The metal is cleaned until the solution can react evenly, the color is brushed, dipped or heated into the surface, and then a finisher relieves the high points by hand so edges and raised details catch the light while the recesses stay dark. That hand work is what separates a real patina from paint.
Patinas work best on copper, brass and bronze. Steel, zinc die cast and aluminum can wear them too: we plate those parts in copper or brass first, then age the new layer. Once the color is right we seal it with lacquer or wax, or leave it open to keep changing if you want a living finish.
Send us a photo of the part and, if you can, a photo of the finish you want to match. We will tell you which patina gets you there, whether the part needs plating first and what the job will cost in a written quote.
Six patina families cover almost every request we receive. Each one can be made lighter, darker, more relieved or more uniform to suit your project.
A deep chocolate brown with warm copper showing through on the edges. The most requested patina for door hardware, faucets and lighting, and the easiest to match across a whole house.
Brass toned down to a soft, aged gold, darker in the corners and brighter where hands would wear it. Perfect for period homes and pieces that should look original.
The blue green crust of old copper roofs and coastal statues, built up in controlled layers. Sealed to keep it from rubbing off, or left open to keep evolving outdoors.
The classic finish on cast bronze, from light honey to almost black. Raised lettering and sculpted details are hand relieved so they read clearly from across a room.
A rich, hand rubbed black that is softer than paint and shows a hint of metal at the high points. Popular for modern hardware, railings, fireplace tools and accent trim.
A gray, gently darkened silver tone applied over fresh nickel plating. It gives lighting and hardware a cool vintage look that sits between bright nickel and black.
A patina is part chemistry and part handwork. This is how a raw part becomes an aged finish you can count on.
Send photos of the part and of the color you want, or tell us the finish name your designer specified.
We confirm the base metal, decide if it needs plating first and send a written quote within 24 business hours.
Mail the parts with your quote number or bring them to our Oceanside shop, along with any sample to match.
Old coatings are stripped, the surface is polished or plated, then the patina is built up in layers.
Highlights are rubbed back by hand, the color is approved against your sample and the finish is sealed.
Some metals react on their own, others need a plated layer before the color can grow. Either way, the right preparation decides how even the patina looks.
The most reactive metal we patina. It goes brown, black or green with very little coaxing, which is why verdigris and deep browns start on copper.
The base for oil rubbed bronze and antique brass. Solid brass hardware, fixtures and lighting can be aged directly once the old lacquer is removed.
Plaques, sculpture and architectural castings. Bronze takes heat applied patinas beautifully, from honey brown to statuary dark.
Steel can be blackened directly, but for brown, brass or green tones we plate it in copper or brass first, then age the new layer.
These metals do not color well on their own. We give them a copper or brass base, filling pits along the way, and patina that coating.
Nickel can be darkened to an antique or pewter tone and silver can be oxidized. Other alloys are reviewed case by case before you ship.
Every patina color, base and protective finish we offer in house.
Drag the handle on any photo to see the part as it arrived and after its patina.
Before
A builder grade polished brass lever that clashed with a new interior. Stripped of its lacquer and aged to oil rubbed bronze, with copper toned edges where hands rest.
Before
Sun and sprinklers had left the bronze blotchy and hard to read. Cleaned, recolored in statuary brown and hand relieved so every raised letter stands out again.
Before
A new copper lantern that looked too shiny for an old courtyard. Built up in layered verdigris and left with brown copper showing at the edges for a weathered, lived in look.
From custom builders to industrial manufacturers, our clients trust us to deliver the same result every time.
Designers, builders, artists and resorts who want metal that looks like it has a story.
Railings, gaming floor trim, signage letters and bar fixtures aged to bronze, brass or black so the finish looks rich and stays consistent from one property area to the next. Trusted by casino resorts across North County San Diego.
Cabinet hardware, faucets and lighting finished to one designer specified patina for an entire home.
Plaques, address numbers, door pulls and railings with patinas that hold up to sun and coastal air.
Bar rails, door push plates and decor pieces that need an aged look that survives daily traffic.
Final patinas on cast bronze and copper artwork, including layered colors and custom tests.
Replacement parts aged to match original hardware so a repaired piece looks untouched.
Since 1989 we have been plating, polishing and coloring metal by hand. Because we plate in house, we can build the right base under every patina instead of hoping the color takes.
Send a photo of your part and receive a no obligation quote within 24 hours.
Every part leaves our shop backed by our craftsmanship guarantee. If you are not satisfied, we make it right.
A single fixture or a full production run, shipped to us from any state and returned insured.
Most projects are completed within 3 to 5 weeks. Expedited Orders: 5 to 7 business days. Contact us for availability.
The color you see is only half of the decision. What the part is made of and how much change you will accept decide which route we take.
You don't have to live nearby to work with us.
Customers all over the country pack their parts and ship them to our Oceanside shop. We finish them, inspect them and send them back insured. It starts with a few photos.
A rushed patina looks blotchy and wears off in months. Ours take the time they need, one layer at a time.
Every coating, oil and fingerprint is removed first, because a patina only grows evenly on perfectly clean metal.
Highlights are rubbed back by a finisher, not a machine, so details read naturally and no two edges look stamped.
Color is checked against your sample or photo in daylight before sealing, and we send pictures if it needs your eye.
Finished pieces are sealed as agreed, then wrapped one by one so nothing rubs through the color on the way home.
A Finish That Should Never Be Polished
The biggest danger to a patina is good intentions. Metal polish, brass cleaner and vinegar remedies are all designed to remove tarnish, and a patina is controlled tarnish. One enthusiastic cleaning can strip a dark finish back to bare metal in streaks.
Lacquered patinas need only dusting and a soft cloth dampened with water. Waxed patinas like a fresh coat of clear paste wax a couple of times a year, buffed lightly with a soft cloth. Waxing also deepens the color a little and helps fingerprints disappear.
Living finishes are meant to move. Door handles brighten where hands grip them and outdoor pieces darken or green with weather. That wear pattern is part of the appeal, and most clients love how it looks after a year or two.
If a patina gets damaged or you want a different shade later, send it back. We can often recolor the surface without replating, and a waxed finish can usually be repaired in a single visit.
Patina Gallery
Oil rubbed bronze, antique brass, verdigris and statuary brown, applied and relieved by hand on hardware, lighting, signage and art.
Designers, builders and artists across the country send us pieces to be aged and colored. Here is how to ship them safely.
Send photos of every piece and the patina you have in mind. You receive a written quote and lead time, usually the same business day. Wait for your quote number before you ship.
Wrap each part on its own so pieces never rub together, with at least three inches of padding all around. If you are sending a color sample, bag it separately and label it.
Declare the real value with the carrier and email us the tracking number so we can log your parts the day they arrive.
Once the patina is applied we photograph the pieces in daylight for your approval, then seal, pack and ship them back insured.
Every patina is mixed, applied and relieved by hand in our own shop in North County San Diego.
Patinas, plating and metal finishing in San Diego County since 1989.
Bring your hardware or a color sample to the shop from Vista, Encinitas, Temecula, La Jolla or anywhere in the region and see the patina options in person. Outside the area? We accept shipped parts from every state.
Select your city for patina turnaround times and drop off options in your area.
Frequently Asked Questions
What customers most often ask before sending pieces for a patina. Still have a question? Call the shop or send us a photo.
It depends on the metal, the size and the finish. A solid brass part that only needs its lacquer removed costs far less than a zinc die cast part that must be plated before it can take color. Sets and larger quantities lower the price per piece. Send photos and we return a written quote within 24 business hours.
No. A patina is a chemical reaction that changes the surface of the metal itself, so the color has depth and the metal shows through at the highlights. Paint and powder coat sit on top as a layer of color.
Usually, yes. Send one of the original pieces if you can, or clear daylight photos. Patinas are hand applied, so we match tone and character closely, and we color full sets together so every piece agrees.
Sealed patinas stay close to the color you approve and are best for indoor hardware and fixtures. Living patinas keep changing with touch and weather, which many people want for outdoor pieces, art and rustic decor.
Steel can be blackened directly. For brown, brass or green tones on steel, zinc die cast or aluminum we plate a copper or brass base first and then patina that layer. Stainless receives a nickel strike before plating.
Very close, but not identical, and that is part of its charm. Small variations in grain and highlight are natural in a hand applied finish. We keep a set within one consistent range.
Dust it and wipe it with a soft cloth and plain water. Never use metal polish, brass cleaner or vinegar, because they remove the patina. Waxed finishes benefit from a light coat of paste wax twice a year.
Yes. Request a quote first, wrap every piece individually, include any color sample, insure the box and email us the tracking number. We color, seal and ship your parts back insured.